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Contents

  1. My Journey To Landscape Photography – Suzanne Mathia
  2. What Every Photographer Should Know About Manual Mode
  3. I’ll Start
  4. About the Author

The second part is details. Every image should be perfectly thought out and every intricate part of your frame should serve a purpose. Think, Bob Ross. I love starting the day with a shoot, whether it pans out or not. Take a look around and enjoy the beautiful landscape that you are surrounded by, many people would give anything to be where you are.

There are thousands of photographers out there photographing landscapes these days. Find a way to diversify yourself and to see the world a bit differently than most do. Take time to enjoy the landscape, connect with it. I love to shoot wide and low as well. I really enjoyed creating a fun Christmasy image while up in the Canadian Rockies this past November. I shoot everything on manual and wait for the perfect light. Be transparent about it. They have really made shooting at night extremely fun.

Being able to place Lume Cubes in small areas, control them via Bluetooth and even modify the light has created a whole new ball game. It all depends. Sometimes I really like to go to a general area and then get lost.

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My Journey To Landscape Photography – Suzanne Mathia

Some of my favorite compositions have been captured by avoiding stereotypical locations. I usually take just what I need. Anyone who is interested in upping their creativity in night photography or shooting video on their DSLR or mirrorless camera. Through the years I've photographed in many situations including sporting events, live music venues, 5,' in the air hanging out of a plane, natural disasters, the tops of volcanoes, the bottom of the ocean floor and more.

Not only does a solid workflow include photography skills, but it often also requires out-of-the box thinking to overcome challenges you may face because of local elements. You must think outside the box and use your camera skills to be able to create impact. For example, I decided to use a wide angle lens and timed my shot to coincide with the morning light shining in the lava cave to create this breath taking scene above image.

One of the first steps a beginner landscape photographer should take is to calibrate your monitor. Monitor calibration ensures vibrant, high-quality images across all devices and not just the computer on which you are processing your photos.

What Every Photographer Should Know About Manual Mode

Most cameras today, except maybe some smart phones and low-end point-and-shoot types, have RAW file capabilities. A RAW file is like having a digital negative. After post processing in Lightroom — Yellowstone Falls, Wyoming. Before post processing in Lightroom — Yellowstone Falls, Wyoming. As you can see from the image above, the unprocessed RAW image looks dull and colorless because it was created using camera default settings.

The processed RAW image contains stunning details and vibrant colors. Your processing knowledge should include, for example, how to make targeted or localized adjustments to specific parts of your images. You should also know how to fine-tune settings such as contrast. The extreme dynamic range in this landscape photos from Ozud, Morocco required Varina to bracket the photos. One of the most expensive parts of landscape photography is traveling to those breathtaking locations that you dream of photographing. Hoh Rainforest in , Olympic National Park.

Lake Crescent, , Olympic National Park. Marymere Falls in , Olympic National Park. Lake Crescent in , Olympic National Park. Marymere Falls, Olympic National Park. Which is your favorite? Each image can be viewed larger by clicking on it. I will be sharing the vision and spirit of exploration that guides my search for rare light and dramatic landscapes as well as a glimpse into the techniques I use to create my photographs. The presentation begins at PM and is free and open to the public. Have you seen the time lapse twilight and night photography of Terje Sorgjerd?

In his film, The Arctic Light , he shares a gorgeous high speed chronology of extended magical twilight hours he finds in the far reaches of Norway. In the spring sunsets and sunrises at this latitude can last for many hours. Much of our day in these modern times is spent indoors or within an urban landscape which significantly reduces how much time we spend viewing the sky. I have often noticed a faint warm glow coming through my east facing living room windows only to find I was missing a brilliant sunset in the sky to the west.

Additionally, opportunities to linger in the twilight are commonly sacrificed to the pace of life, rushing from office to car with heads down or eating dinner while reading an iPad, sorting through junk mail and sending texts. Many of us can only remember a handful of times when chance and circumstance have enabled us to be in the right place at the right time to look up at the sky and be amazed.


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As an outdoor photographer I have learned to revel in the light at the edges of day. I devote many mornings and evenings to searching for the conditions that will allow me to have an exhilarating sunrise or sunset experience just one more time. The process of photographing at the edges of day motivates me to watch with great interest and concentration.

Some sky shows last for mere seconds, while others will linger for many minutes, colors changing and moving around the sky. I can only imagine witnessing a twilight that lasts for many hours, such as the ones Terje records in Norway.

I’ll Start

Recently I came across a series of photographs I took during a spectacular sunrise in North Cascades National Park in Washington in the fall of It was one of those rare occasions in which the event played out over many minutes, allowing me to photograph it several times from slightly different vantage points. This is how that morning unfolded. It was still replaying in my dreams when Chip rose at AM with the intent of hiking high above the pass before sunrise. David left camp second, about an hour later. Cursing myself for sleeping too long, I made this photograph along the trail still low in the valley in near darkness.

Photography Tutorial - ISO Made Easy

The first light was just beginning to illuminate the clouds and the dark features of the land. A second exposure of just 4 seconds captured a good exposure for the sky and the properly exposed areas of each were blended together using layer masking techniques. The color intensified and I frantically searched for something to anchor the foreground of my next photo.

I found a small mountain ash tree turning red with the coming autumn. At the same time I noticed the stream in the valley beginning to reflect the red-orange of the warming sky. Radiant light reflecting off the undulating under surface of the clouds back lit the foliage making it appear to be glowing from within. This wide angle, vertical composition turned out to be my favorite from that morning. I titled it Unforgettable Fire and it is now part of my print collection.

Satisfied that I had managed to take a good photo despite my late start I relaxed a bit. However, to my surprise, the color showed no signs of abating. I continued up the trail looking for other perspectives from which to photograph the scene. I scrambled around, struggling to find a composition as compelling as the last.


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In this image the brilliant reds and oranges overpower the rest of the scene. Further along my ascent of the pass the colors began to shift from deep reds to lighter oranges and yellows and cool light began to filter through the cloud layer from above. Finally, as the day brightened, the sun rose above the cloud layer. The under-lighting faded along with the color, leaving the clouds flat and gray from below but giving a glimpse of blue sky and higher clouds above.

That morning, as well as many others, have become important and indelible parts of my consciousness. Through photography I have become better at being acutely present and attentive during such magical twilight events, making them that much richer, meaningful and memorable. Malheur County may be one of the least known and least visited parts of Oregon. It is located in the extreme southeast corner of the state bordering Idaho and Nevada. Geographically it is one of the largest counties in Oregon with a total area of about 10, square miles, but it has one of the lowest population densities at just 3 people per square mile.

Almost everything to the south is open range land managed by the BLM.

About the Author

There is just one paved road, Hwy 95, and one town, Jordan Valley. But out in the arid scrub and ranch land of Malheur County lies the Owyhee River. The Owyhee drains a remote area of the high desert plateau on the northern boundary of the Great Basin and flows northward to the Snake River.

The various arms and tributaries of the Oywhee cut deep canyons through the Owyhee Plateau, many with vertical rock walls that in places can be over 1, feet deep. The southern reaches of the river can only be accessed by dirt roads, some fairly well maintained and others not more than jeep tracks. Even then there are just a handful of spots where it is possible to reach the river by vehicle. People have been suggesting I check out the Owyhee country for years.

As it is not along any usual route of travel and many hours from just about anywhere I had never visited this part of the state until this spring. I went to do some exploring and take some photos with fellow photographer, David Cobb, who had previously hiked and photographed portions of the river. I was absolutely drawn in by the beauty and scope of the canyons and the surrounding high desert.

Leslie Gulch is the main attraction along the Lake Owyhee reservoir and provides the easiest access to the river in this area. We explored the main Leslie Gulch road and made a couple of forays up side canyons. The area to the north known as the Honeycombs looks particularly enticing but can only be reached by backpacking in or taking a boat over from the west side of the lake. North of the town of Jordan Valley you can follow the Jordan Craters Road for about 30 miles into a large lava flow that originates at the Coffee Pot Crater.

Spatter Cone at Jordan Craters View from inside a spatter cone Continuing on a side road from there you can wind your way down steep switchbacks and reach the river at the historic Birch Creek Ranch. This is one of the main takeouts for rafters floating the river. Southwest of Jordan Valley is the community of Rome. Near Rome there are several dirt roads that offer access to the river canyon as well as the nearby Cliffs of Rome and Chalk Basin further to the north. We also had to make about three creek crossings, the deepest of which engulfed my front bumper.

From the map we saw that we could stop along the road a few miles north of Three Forks and hike out the the canyon rim. Photographing a roadless portion of the wild and scenic Owyhee at sunset sounded appealing, but after a few steps off the road we discovered ticks clinging to our pants.

Despite giving David a serious case of the willies we continued on and were able to access a sweeping vista of the canyon before sundown. By the time we completed our hike back in the fading light we had found over ticks between us! A strip search in the headlights revealed several more. Three Forks is a popular put-in for rafters and the presence of hot springs make it an attraction for others as well. Radiating out from the Three Forks area are no less than six deep and narrow canyons including the Big Antelope, Louse and Middle Fork.

While I was able to take some exciting photographs on this scouting trip I am excited to get back soon. Future trips will include spending several days rafting and photographing the Owyhee proper as well as doing some back country packing up the tributary canyons south of Three Forks.


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  7. Photographs are more limited than human sight in many ways, but can also see in ways that we can not. It is my goal to understand what the camera sees so I can manipulate and coax it to capture a photograph that reconciles with my own view of the landscape. To some this goes against tradition. We have been conditioned to believe that a photograph portrays, or at least should portray, an accurate record of the world and we must accept what the camera gives us. In truth, the very act of taking a photograph significantly alters a scene from how we perceive it in any number of ways.

    Artists have always endeavored to express themselves, their experiences and their impressions through their medium. A camera is a tool to do just that, to paint an artistic vision of the world. I want to capture something that excites me and hopefully resonates with others. Both the way that we capture and develop our images have entered a new and exciting phase. Early on I embraced the changes digital technology brought to the art form. The digital age has allowed photographers to overcome many shortcomings and limitations of cameras that have frustrated them from the beginning.

    The new tools of photography enable me to be more creative and to express my experiences and vision more fully than ever before. I will always be fan and a student of traditional landscape and nature photography, venturing into the land to work with the raw materials of light, form, color and texture. And while the photographic tools and techniques are evolving, the motivation and the thought processes of the nature photographer remain unchanged. If anything, I find that it is more important than ever to be on top of my game.